Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Jean antoine Watteau 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
67608 Antoine Watteau Jean antoine Watteau Antoine Watteau Technique English: Oil on canvas Deutsch: Öl auf Leinwand Italiano: Olio su tela Polski: Olej na płetnie Dimensions 51,3 X 59,4 cm
67615 Antoine Watteau Jean antoine Watteau Antoine Watteau Technique Oil on canvas Dimensions 97 X 116 cm (38.19 X 45.67 in)
56710 avfarden till kythera Jean antoine Watteau avfarden till kythera mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
68774 Das Ballvergnegen Jean antoine Watteau Das Ballvergnegen ca. 1717(1717) Oil on canvas 52.7 X 65.7 cm (20.75 X 25.87 in)
69056 Das Ballvergnegen Jean antoine Watteau Das Ballvergnegen c. 1717 oil on canvas
68865 Das Liebeslied Jean antoine Watteau Das Liebeslied 51,3 X 59,4 cm Oil on canvas c. 1717
91039 Der Gleichgutige Jean antoine Watteau Der Gleichgutige Oil on canvas Dimensions 26 x 19 cm (10.2 x 7.5 in) cyf
68777 Der Tanz Jean antoine Watteau Der Tanz c. 1710-1720 oil on canvas 97 X 116 cm (38.19 X 45.67 in)
69065 Die italienische Komodie Jean antoine Watteau Die italienische Komodie c. 1718 oil on canvas Deutsch: 37 X 48 cm
70955 Die Schafer Jean antoine Watteau Die Schafer Medium Oil on canvas Dimensions 56 x 81 cm
53833 Figures from the Italian Commedia dell arte Jean antoine Watteau Figures from the Italian Commedia dell arte mk234 probably 1720 63x76cm
68448 Franzosische Komodianten Jean antoine Watteau Franzosische Komodianten ca. 1720(1720) Oil on canvas 57 ?? 73 cm (22.44 ?? 28.74 in)
26627 Gersaint s Shop Sign Jean antoine Watteau Gersaint s Shop Sign mk53 1720-1 Oil on canvas 166x306cm Berlin,Schloss Charlottenburg
56711 gilles Jean antoine Watteau gilles mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
76040 Happy Age. Golden Age Jean antoine Watteau Happy Age. Golden Age oil on panel painting by Jean-Antoine Watteau cyf
97356 Les Champs Elysees Jean antoine Watteau Les Champs Elysees between 1717(1717) and 1718(1718) Medium oil on panel cyf
91122 Les Charmes de la vie Jean antoine Watteau Les Charmes de la vie 1718(1718) Medium oil on canvas cyf
72602 Les deux cousines Jean antoine Watteau Les deux cousines Les deux cousines, c. 1717-1718, Musee du Louvre, Paris cjr
57268 Pierrot Jean antoine Watteau Pierrot mk255 for in the years 1718-1719. 1.85 x 1.50 meters canvas. Paris, the Louvre
57267 The base Shirra island goes on a pilgrimage Jean antoine Watteau The base Shirra island goes on a pilgrimage mk255 for in 1717. Canvas 1.29 x 1.94 meters high. Paris, the Louvre
42066 The rest in the flight to Egypt Jean antoine Watteau The rest in the flight to Egypt mk166 1715 I Wave on cloth 129x98cm Museum of the Ermitage, San Petersburgo
66058 Vergnegen im Freien (Amusements champetres), Detail Jean antoine Watteau Vergnegen im Freien (Amusements champetres), Detail c. 1718 Oil on canvas

Jean antoine Watteau
French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
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